JOHN RATLEDGE

RESUME

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CARNEGIE HALL

UNIVERSITY SINGERS

SPIVEY HALL

MAJOR WORKS AT UA

DURUFLÉ REQUIEM

BRAHMS REQUIEM

ORFF CARMINA BURANA

BACH JOHANNESPASSION

CONDUCT AT ALABAMA

ALABAMA ACADEMICS

HONOR CHOIR

RECORDINGS

JOHANNESPASSION

from BLACKBERRY WINTER

From PASSAGES

BRNO The Red Church

GLINKA KAPELLA LIVE

DURUFLÉ REQUIEM-POLAND

LE CRYPTE FOUVRIERE-LYONS

Alto Rhapsodie

CARMINA Spivey 2007

MOMENTS IN THE LIFE

1985 to present

MY ETCHINGS

 
 
BRAHMS EIN DEUTSCHES REQUIEM 2008
At Moody Concert Hall, UA
 
  Brahms Requiem
The University of Alabama
25, 27 April 2008

University Singers
University Chorus
The Huxford Symphony Orchestra

Elizabeth Claxton, Soprano
Christopher O'Rear, Baritone

Christopher O'Rear, Baritone
A native of Greenville, South Carolina, Chris O'Rear is currently pursuing the Doctor of Musical Arts from The University of Alabama where he studies voice with Dr. Susan Fleming.  He has previously served as instructor of voice at Huntingdon College in Montgomery, Alabama and at Troy University in Troy, Alabama.  Mr. O’Rear holds degrees from Winthrop University in Rock Hill, South Carolina and Samford University in Birmingham, Alabama.
 
Since becoming a part of the University community, he has sung as a featured soloist with The University Singers under the direction of Dr. John Ratledge where he has performed multiple oratorio roles including Carmina Burana and the role of Pilate in the St. John Passion. Other oratorio credits include performances of the role of Jesus in The St. John Passion with The Orchestra of the Highlands in Birmingham, Alabama, J. S. Bach’s Magnificat with The Montgomery Chorale, Handel's  Messiah, the Duruflé, Fauré, and Brahms Requiem's, Haydn's Creation, and Vaughn Williams’ Five Mystical Songs. 

Additionally, he has given performances both in recital and on the operatic stage.  His most recent performances include performances of Franz Schubert’s Winterreise and the role of Danilo Danilovitch in The University of Alabama Opera Theatre’s production of Franz Lehar’s, The Merry Widow.  On stage, Mr. O’Rear has been seen as Sarastro and Belthazzar in OperAlabama productions of Mozart's Die Zauberflöte and Amahl and the Night Visitors, respectively, and Colline in a concert version of Puccini's La Bohème with the Huxford Symphony Orchestra under the baton of Maestro Carlton McCreery.  Other roles have included Germont in Verdi’s La Traviata and Belcore in Donizetti’s L’elisir d’amore.
 

The soprano Elizabeth Claxton was born and raised in Dublin, Georgia and graduated from the Royal Academy of Music Opera course in London with the prestigious Dip RAM award. Elizabeth received her Bachelors of Music from Shorter College in Rome, Georgia with scholastic and musical honours. While at Shorter she studied with Dr. John Ramsaur, and was a member of the internationally acclaimed Shorter Chorale under the direction of Dr. John Ratledge. Elizabeth was a featured soloist with this group, performing Brahms’ Requiem both with the Académie de St. Louise en L’Isle at the prestigious L’église Madeleine in Paris, and at the Real Monasterio de San Lorenzo de El Escorial in Madrid with the Orquesta Académica. She also performed Orff’s Carmina Burana at Teatre Fortuny, Reus, Spain. Her most recent concert performances include a staged lieder recital with music by contemporaries of Freud entitled Dreamlives- Dark Music of Desire, Shostakovich’s Seven Poems of Alexander Blok for Piano Trio and voice Opus 127 at the Edinburgh Fringe Festival, Mendelssohn’s Elijah, Elgar’s Coronation Ode, Rossini’s Petite Messe Solennelle, Ralph Vaughan Williams’ A Sea Symphony in Bristol Cathedral, and Verdi’s Requiem.

Elizabeth has won many prizes and scholarships, and has just recently won the Metropolitan Opera National Council Georgia and Florida District Auditions and received Honorable Mention in the Grand Finals of the Singer of the Year Competition in Shreveport, LA. She has also been selected to perform in masterclasses given by Sylvia McNair, William McGraw, Costanza Cuccaro, Robert Tear, Paul Kiesgen, and Dennis O’Neill.

Elizabeth has performed many roles both in opera and musical theatre. Recently she performed the role of Musetta in La Boheme and Adele in Die Fledermaus with St. Petersburg Opera, Gerhilde in Die Walküre with the Mastersingers, Donna Anna in Don Giovanni with Young London Opera’s tour to Holland, and Léna in a concert performance of La Princesse Jaune by Saint-Saëns conducted by Dominic Wheeler. Other roles include Clarice in the Royal Academy Opera’s Il Mondo della Luna by Haydn, Rosalinde in Die Fledermaus with the Brevard Music Festival in Brevard, North Carolina, Fiordiligi in Shorter College’s production of Mozart’s Cosi fan tutte, Zerlina in Mozart’s Don Giovanni with the Rome Festival in Rome, Italy, Nettie Fowler in Carousel, Mother Superior in The Sound of Music, Aldonza in Man of La Mancha, Guenevere in Camelot, and Annie at the age of 8.

Elizabeth has recently been seen entertaining at Ocean Forest, the new Cloister’s Spanish Lounge and Club Room on Sea Island, Georgia with music from Mozart to Johnny Mercer. This summer Elizabeth will be spending her summer with Opera New Jeresey in the Merry Widow and study covering Violetta in La Traviata.



Elizabeth Anne Claxton, Soprano
 
The full consort
Karis Lamb, Violinist, after the Brahms
 
 
 
Elizabeth Claxton, New York Soprano
Larry Mathis, UA Percussion Professor
Cello section
 
Anna Davis, DMA Organ Performance, IN THE CLOUDS
 
Violin section
 
Chris and Pam Gordon
 
Elizabeth Claxton and Yoon Hee Kim
 
Imygyu Kang and Yoon Hee Kim
 
 
Becky McCord and Elizabeth
 
Chris O'rear, DMA Vocal Performance
 
Skip Snead, Director of School of Music, after the Brahms
 
Goshia (Concert Master) and Hovhannes (Principal cello) after the Brahms
 
 
Imgyu loves girls...........
 
Yoon Hee and Miss Ash
 
THE SCHOOL OF MUSIC at THE UNIVERSITY OF ALABAMA www.music.ua.edu

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The Official Website of Dr. John Ratledge, Conductor

Conductor, Educator, Clinician, Composer